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Notes with msr = 0 refer to the entire song.
Date | Song | msr | Section | Note |
---|---|---|---|---|
6-23 | I Shall Pass Through this World (Bonds) | 0 | SATB | Please listen to the recording provided at the member site. I suggest you look up information on Margaret Bonds and Etienne De Grellet – you will enjoy learning more about them both. Please number all measures – 1 is the first full measure (not the pickup) – there are 35 in all |
6-23 | I Shall Pass Through this World (Bonds) | 5 | B | Lift (no breath) before "good" on beat 3, and before "Good" on ms 6 downbeat |
6-23 | I Shall Pass Through this World (Bonds) | 8 | SATB | Breath after "show" on beat 3 |
6-23 | I Shall Pass Through this World (Bonds) | 10 | TB | Breath before beat 4 |
6-23 | I Shall Pass Through this World (Bonds) | 11 | TB | Lift (no breath) before "human," "Being," and "any" |
6-23 | I Shall Pass Through this World (Bonds) | 12 | SA | Lift (no breath) after first "any" |
6-23 | I Shall Pass Through this World (Bonds) | 13 | SATB | Breath before "To" on beat 4 |
6-23 | I Shall Pass Through this World (Bonds) | 15 | SA | Breath after "do it," before beat 2 |
6-23 | I Shall Pass Through this World (Bonds) | 15 | TB | Breath after "do it," before beat 3 |
6-23 | I Shall Pass Through this World (Bonds) | 16 | SATB | Breath after "now," before beat 4 |
6-23 | I Shall Pass Through this World (Bonds) | 17 | SATB | Breath before "Let" |
6-23 | I Shall Pass Through this World (Bonds) | 19 | SATB | Breath on beat 4 |
6-23 | I Shall Pass Through this World (Bonds) | 20 | SATB | Breath on beat 4 |
6-23 | I Shall Pass Through this World (Bonds) | 21 | SATB | Breath before "For" |
6-23 | I Shall Pass Through this World (Bonds) | 23 | SAT | Lift (no breath) before "I" |
6-23 | I Shall Pass Through this World (Bonds) | 23 | B | Breath before "Not" |
6-23 | I Shall Pass Through this World (Bonds) | 25 | SATB | Breath before "pass" — also, tempo will slow |
6-23 | I Shall Pass Through this World (Bonds) | 27 | SATB | Breath before beat 4 |
6-23 | I Shall Pass Through this World (Bonds) | 29 | S T | Breath before beat 4 |
6-23 | I Shall Pass Through this World (Bonds) | 29 | S T | p, not mp as written |
6-23 | I Shall Pass Through this World (Bonds) | 31 | S T | Breath before beat 4 |
6-23 | I Shall Pass Through this World (Bonds) | 32 | A B | p, not mp as written |
6-23 | I Shall Pass Through this World (Bonds) | 33 | S T | Breath before "but" |
6-23 | Ceciliada (Wawruk) | 1 | SAT | Gentle crescendo, decrescendo ms 1 to 4 (follow the tenors) |
6-23 | Ceciliada (Wawruk) | 5 | SAT | Gentle crescendo, decrescendo ms 5 to 8 (follow the tenors) |
6-23 | Ceciliada (Wawruk) | 9 | SAT | Gentle crescendo, decrescendo ms 9 to 12 (follow the tenors) |
6-23 | Ceciliada (Wawruk) | 13 | SATB | Start rit and crescendo here |
7-23 | Ceciliada (Wawruk) | 19 | B | cut-off as written - DO NOT sing on repeat from meas. 17 |
7-23 | Ceciliada (Wawruk) | 92 | B | sing 2nd time only |
6-23 | Deep Peace (Hagenberg) | 9 | SATB | Crescendo and decrescendo through "Deep peace", ms 9-10, 11-12, 13-14 |
6-23 | Deep Peace (Hagenberg) | 31 | SATB | Decrescendo on "peace," soft "s" on beat 4 |
6-23 | Deep Peace (Hagenberg) | 34 | SATB | Clean "oh" vowel on "world" |
6-23 | United, We Are (Manor) | 16 | SATB | Gentle emphasis on final note in the bar, to set up tempo for ms 17 |
6-23 | United, We Are (Manor) | 26 | SATB | Strong "choral D" (i.e., "duh" shadow vowel) on beat 2 |
6-23 | Shall I Compare Thee (Linberg) | 0 | SATB | Please listen to the recording provided at the member site. |
6-23 | Shall I Compare Thee (Linberg) | 3 | S | Soft glottal on "art" |
6-23 | Shall I Compare Thee (Linberg) | 6 | SATB | Breath before "And" |
6-23 | Shall I Compare Thee (Linberg) | 14 | SATB | Breath before "By" |
6-23 | Shall I Compare Thee (Linberg) | 24 | SATB | Breath before "So" |
6-23 | Shall I Compare Thee (Linberg) | 26 | SATB | Breath before "So" |
6-23 | Shall I Compare Thee (Linberg) | 27 | SATB | Continue ff until ms 29 |
6-23 | Shall I Compare Thee (Linberg) | 29 | SATB | Breath before "Life" |
6-23 | A Bridge of Peace (Walker) | 0 | SATB | In general, follow tone notes given by composer (e.g., gently, with affection; boldly; tenderly) |
6-23 | A Bridge of Peace (Walker) | 22 | SA | Observe staccato marks |
6-23 | A Bridge of Peace (Walker) | 46 | TB | Observe staccato marks |
6-23 | A Bridge of Peace (Walker) | 91 | SATB | No breath from pickup to end (stagger breathe) |
6-23 | The Water is Wide (Beulke) | 0 | SATB | Please listen to the recording provided at the member site. We will audition for the 2 soprano solos (see ms 85-96) on July 20. An online sign up will be sent out soon. |
6-23 | The Water is Wide (Beulke) | 0 | SATB | Observe where melody is and be sensitive dynamically (e.g., sopranos decrescendo ms 37, 39) |
6-23 | The Water is Wide (Beulke) | 1 | S | Stagger breathing ms 1-19 |
6-23 | The Water is Wide (Beulke) | 31 | T | Breath on beat 1 |
6-23 | The Water is Wide (Beulke) | 34 | T | Breath before "Oo" |
6-23 | The Water is Wide (Beulke) | 37 | TB | M divisi, ends at the end of ms 50 |
7-23 | The Water is Wide (Beulke) | 48 | S | NO breath over the barline |
6-23 | The Water is Wide (Beulke) | 55 | TB | M divisi begins before beat 4 and ends in ms 61, after beat 1 |
6-23 | The Water is Wide (Beulke) | 61 | SATB | Add rit. |
6-23 | The Water is Wide (Beulke) | 64 | S | Breath before beat 2 |
6-23 | The Water is Wide (Beulke) | 64 | TB | M divisi before beat 3, ends at the end of ms 65 |
7-23 | The Water is Wide (Beulke) | 68 | B | ignore accidentals one beat 1 - they are superfluous |
6-23 | The Water is Wide (Beulke) | 69 | SATB | Add rit. |
6-23 | The Water is Wide (Beulke) | 74 | S | S split: Top note: Jane, Jessica, Judith, Wendy, Middle note: Amanda K, Patricia, Naomi, Natalie, lower note: Andrea, Amanda H, Lily, Sandra |
7-23 | The Water is Wide (Beulke) | 79 | S | 1st sopranos do not join 2nds on A (add rest if you sre a 1st) |
7-23 | The Water is Wide (Beulke) | 85 | SA | Note that the top line is for the duet |
6-23 | The Water is Wide (Beulke) | 97 | SATB | We will sing at least 3 times |
6-23 | Pleni Sunt Coeli et Terra (Charpentier) | 0 | SATB | Please listen to the recording provided at the member site. We will audition for the SAT solos (see mss 68-76) on July 20. An online sign up will be sent out soon. |
6-23 | Pleni Sunt Coeli et Terra (Charpentier) | 16 | SATB | Articulate both "t"s in "et terra" |
6-23 | Pleni Sunt Coeli et Terra (Charpentier) | 58 | SATB | Change dynamic to mf |
6-23 | Pleni Sunt Coeli et Terra (Charpentier) | 59 | SATB | Add crescendo |
6-23 | Pleni Sunt Coeli et Terra (Charpentier) | 60 | SATB | Dynamic f |
6-23 | Pleni Sunt Coeli et Terra (Charpentier) | 78 | SATB | Change dynamic to mf |
6-23 | Pleni Sunt Coeli et Terra (Charpentier) | 79 | SATB | Add crescendo |
6-23 | Pleni Sunt Coeli et Terra (Charpentier) | 80 | SATB | Dynamic f |
6-23 | Song of the Universal (Gjeilo) | 0 | SATB | Please listen to the recording provided at the member site. Note when the meter is 4/4 and changes to 2/2, and back to 4/4 throughout the piece. |
6-23 | Song of the Universal (Gjeilo) | 7 | S | Jane, Jessica and Judith sing top note, Amanda K, Patricia, Wendy sing lower note – do this at any other split in this piece |
6-23 | Song of the Universal (Gjeilo) | 11 | A | Lucinda, Noralee, Ruthann sing top note, Kim, Mago, Erika sing lower note – do this at any other split in this piece |
6-23 | Song of the Universal (Gjeilo) | 205 | S | Natalie, Naomi, Amanda H sing top note, Andrea, Lily, Sandra sing lower note – do this at any other split in this piece |
6-24 | Song of the Universal (Gjeilo) | 88 | A | A1+2, breath before “In” |
6-24 | Song of the Universal (Gjeilo) | 92 | ATB | A1+2, T2, B1+2, breath before “enclosed” |
6-25 | Song of the Universal (Gjeilo) | 96 | SATB | S2, A1+2, T2, B1+2, breath before ms 97 |
6-24 | Song of the Universal (Gjeilo) | 105 | A | A1+2, breath before ms 106 |
6-24 | Song of the Universal (Gjeilo) | 106 | S | S2, breath before “None” |
6-24 | Song of the Universal (Gjeilo) | 108 | TB | T2, B1+2, breath before “none” |
6-24 | Song of the Universal (Gjeilo) | 136 | SAT | S1+2, A1+2, T1, breath before ms 137 |
6-24 | Song of the Universal (Gjeilo) | 150 | SAT | S1+2, A1+2, T1, breath before ms 151 |
6-24 | Song of the Universal (Gjeilo) | 168 | A | A1+2, breath before “Give” |
6-24 | Song of the Universal (Gjeilo) | 172 | SA | S2, A1+2, breath before 173 |
6-24 | Song of the Universal (Gjeilo) | 176 | SATB | S1, A2, T1+2, B1+2, breath before “in” |
6-24 | Song of the Universal (Gjeilo) | 178 | SATB | S1, A2, T1+2, B1+2, breath before ms 179 |
6-24 | Song of the Universal (Gjeilo) | 178 | SA | S2, A1, breath before “in” |
6-24 | Song of the Universal (Gjeilo) | 182 | ATB | A1+2, T1+2, B1+2, breath before ms 183 |
6-24 | Song of the Universal (Gjeilo) | 183 | A B | A1+2, B2, breath before ms 184 |
6-24 | Song of the Universal (Gjeilo) | 184 | TB | T1+2, B1, breath before ms 185 |
6-24 | Song of the Universal (Gjeilo) | 204 | SAT | S1, A2, T1, breath before ms 205 |
6-24 | Song of the Universal (Gjeilo) | 209 | SATB | S2, A1, T1+2, B1+2, breath on beat 3 |
6-24 | Song of the Universal (Gjeilo) | 211 | SAT | S1, A2, T1, breath before ms 212 |
6-24 | Song of the Universal (Gjeilo) | 212 | SATB | S2, A1, T2, B1+2, breath before “Love” |
6-24 | Song of the Universal (Gjeilo) | 215 | SAT | S1, A2, T1, breath before ms 216 |
6-24 | Song of the Universal (Gjeilo) | 215 | SATB | S2, A1, T2, B1+2, breath before “Nature’s” |
6-24 | Song of the Universal (Gjeilo) | 220 | SAT | S1, A2, T1, breath before ms 221 |
6-24 | Song of the Universal (Gjeilo) | 221 | SATB | S2, A1, T2, B1+2, breath before “sing” |
7-22 | I Love You/Wonderful World (Johnson) | 52 | SATB | change first note to quarter note and add quarter rest |
7-22 | I Love You/Wonderful World (Johnson) | 53 | SATB | change first note to quarter note and add quarter rest |
7-22 | A Bridge of Peace (Walker) | 13 | SA | first vowel is "ah" |
7-22 | A Bridge of Peace (Walker) | 17 | TB | first vowel is "ah" |
7-22 | A Bridge of Peace (Walker) | 26 | TB | No diminuendo |
7-22 | A Bridge of Peace (Walker) | 88 | SATB | change dotted half note to half note and add quarter rest |
7-22 | A Bridge of Peace (Walker) | 90 | SATB | change dotted half note to half note and add quarter rest |
7-22 | Sabelo Mthembu (Sikirileke/Koloi) | 3 | SATB | first syllable is "moo" throughout |
7-22 | Sabelo Mthembu (Sikirileke/Koloi) | 22 | SATB | "hae" is pronounced "hi" |
7-22 | Nia - Purpose (Burleigh) | 10 | SATB | change whole note to dotted half and add quarter rest |
7-22 | Nia - Purpose (Burleigh) | 12 | SATB | change dotted half note to half note and add quarter rest |
7-22 | Nia - Purpose (Burleigh) | 16 | SATB | change half note to quarter note and add quarter rest |
7-22 | Nia - Purpose (Burleigh) | 19 | SATB | "ion" pronounced "ahn" |
7-22 | Nia - Purpose (Burleigh) | 20 | SATB | insert eighth rest before "I was born to" |
7-22 | Nia - Purpose (Burleigh) | 21 | SATB | add breath before final sixteenth note (before "my") |
7-22 | Nia - Purpose (Burleigh) | 24 | SATB | change dotted half note to half note and add quarter rest |
7-22 | Nia - Purpose (Burleigh) | 26 | SATB | change quarter note on beat 2 to eighth note and add eighth rest |
7-22 | Nia - Purpose (Burleigh) | 27 | SATB | use "ah: vowel on second syllable of "purpose" |
7-22 | Nia - Purpose (Burleigh) | 28 | SATB | change dotted half note to half note and add quarter rest |
7-22 | Nia - Purpose (Burleigh) | 32 | SATB | change half note to quarter note and add quarter rest |
7-22 | Nia - Purpose (Burleigh) | 34 | SATB | change half note to quarter note and add quarter rest |
7-22 | Nia - Purpose (Burleigh) | 36 | SATB | change half note to quarter note and add quarter rest |
7-22 | United, We Are (Manor) | 15 | SATB | breathe before "to" |
7-22 | United, We Are (Manor) | 16 | SATB | accent on 4+ (like the piano part) |
7-22 | United, We Are (Manor) | 20 | SATB | breathe before "to" |
7-22 | United, We Are (Manor) | 23 | SATB | breathe before "to" |
7-22 | United, We Are (Manor) | 24 | TB | accent on 4+ |
7-22 | United, We Are (Manor) | 26 | SATB | hard "D" on two |
7-22 | United, We Are (Manor) | 27 | SATB | hard "T" on three |
7-22 | United, We Are (Manor) | 29 | SATB | change words to "We are family, united, we are one!" |
7-22 | United, We Are (Manor) | 43 | SATB | changes to feeling of 2 |
7-22 | United, We Are (Manor) | 54 | SATB | back to feeling of 4 |
7-22 | United, We Are (Manor) | 54 | SATB | change words to "We are family, united, we are one!" |
7-22 | United, We Are (Manor) | 73 | SATB | change words to "We are family, united" |
7-22 | United, We Are (Manor) | 75 | SATB | change words to "We are family, united" |
7-22 | United, We Are (Manor) | 77 | SATB | change words to "We are family, united" |
7-22 | Sign Me Up (Boyd) | 21 | SATB | insert eighth rest before "I got" |
7-22 | Sign Me Up (Boyd) | 22 | SATB | insert eighth rest before "to be" |
7-22 | Sign Me Up (Boyd) | 23 | SATB | breathe before meas. 23 |
7-22 | Sign Me Up (Boyd) | 46 | SATB | breathe before meas. 46 |
7-22 | Sign Me Up (Boyd) | 48 | SATB | mp on one cresc. to mf on three |
7-22 | Sign Me Up (Boyd) | 50 | SATB | mp on one cresc. to mf on three |
7-22 | Sign Me Up (Boyd) | 52 | SATB | mp on one cresc. to mf on three |
7-22 | Sign Me Up (Boyd) | 54 | SATB | mf on one cresc. to f on three |
7-22 | Sign Me Up (Boyd) | 91 | SATB | major break between all three chords - WATCH! |
7-23 | Hands Are Knockin' (Pederson) | 0 | SATB | Try to memorize as much as possible - "You can do it!" |